武士的自尊与七日缠绵，到底是谁害死了我的妻子和母亲

Kuroneko,directedbyKanetoShindo,isaverycomplicateddarklovestory.Unlikemanyotherfilmswithsimilarbackgroundsetting,wecannotseejusticeoverevilattheend,andtheconflictbetweensamuraisandghostsareleftunsolved.Thereisnorightanswerinthefilm,atleastthedirectordidn’tgivethatintention.IthinkonereasonwhyShindodesignedthestorylikethatwasdirectlyrelatedtohisJapanesephilosophyandthedifferenceinthinkingfromwesternculture.Hispurposewasnottosimplydiscusskarmaorgoodandevil,butmoreabout“losing—losingone’ssoul,life,honor,orhumanity”.MostofShindo’sworksfocusedonthelowestclassofsociety,ashesaid,“Iwouldliketoseeproblemsastheyarefacedbyworkingpeople,whoaretheprotagonistsinmyfilms.Iaminterestedinthewaytheyovercometheirdifficulties;atleast,Iliketoevokethehopeofovercoming,someprospectforthefuture.”ItcanalsobereflectedonhisdesignofthetwowomenoccupybyalowanimalascatinKuroneko.IhavetosaythatShindoisreallyagoodscreenwriter,thatiswhyKuronekohassuchawell-knitplot.Itisverycompactandpacytoattractpeopletokeepwatching.Thefilmisfulloforientalaesthetics,thethickfogandwindinbambooissopoetic,andboththeuseoflightandstageperformanceareverydelicateandbeautiful.EspeciallyYone’sdancingassomesortofritualandherfadeinorfadeoutinthedarknessmaketheatmosphereextraordinarilymysterious.copy;本文版权归作者KinoJin所有，任何形式转载请联系作者。